Catch as Catch Can Review: A Confusing Play with a Unique Take on Identity (2026)

The world of theater often presents us with thought-provoking experiments, and Mia Chung's 'Catch As Catch Can' is a prime example of this. In my opinion, this play, now showing at Steppenwolf Theatre, invites us to explore the complex nature of identity and the impact of external forces on our sense of self.

Chung's work challenges the conventional by employing three actors to portray six characters, a decision that, for me, raises intriguing questions about the fluidity of identity and the boundaries we impose on ourselves and others. The play's conscious exploration of identity is a bold move, especially when considering the potential confusion it may cause for some audience members.

One of the most fascinating aspects of this production is the casting directive, which allows actors to be cast regardless of gender or age. This approach, as I see it, aims to strip away societal expectations and norms, allowing the audience to witness raw, unfiltered relationships. The opening scene, directed by Amy Morton, sets the tone with Gary Cole and Tim Hopper embodying two women, a choice that initially leads some viewers down a different path of interpretation.

The play's exploration of familial relationships and the return of a prodigal son, Tim Phelan, adds another layer of complexity. The casting of Audrey Francis as both a New England dude and a daughter further emphasizes the theme of identity transformation. While some may find the rapid shift in tone and the exploration of mental health challenging, it is a bold artistic choice that invites us to consider the impact of external factors on our mental well-being.

What makes this production particularly intriguing is the way it subverts expectations. Chung's deconstructionist approach, while not without its critics, offers a unique perspective on the theater's role in challenging societal norms. In a world where reality-based theater is often celebrated, Chung's work dares to be different, and that, in itself, is a statement.

'Catch As Catch Can' is a thought-provoking piece that leaves a lasting impression. It invites us to reflect on our own identities and the roles we play within our families and society. While it may not be everyone's cup of tea, it is a bold and necessary addition to the theater scene, reminding us of the power of art to challenge and inspire.

Catch as Catch Can Review: A Confusing Play with a Unique Take on Identity (2026)
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